Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Anne Baptiste Nivelon
Portrait de Louis de France

ID: 82000

Anne Baptiste Nivelon Portrait de Louis de France
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Anne Baptiste Nivelon Portrait de Louis de France


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Anne Baptiste Nivelon

Portrait de Louis de France, dauphin (1729 - 1765) represente tenant des plans militaires  Related Paintings of Anne Baptiste Nivelon :. | One of a series of eight etchings of Het Loo | Partridges in snow | Samson and Delilah | Worthersee mit Militarschwimmschule | An Estuary Scene |
Related Artists:
Jan van de Velde
(1593, Delft or Rotterdam-ca. 1 November 1641, Enkhuizen) was a Dutch Golden Age painter and engraver of animal, landscape and still-life subjects. He was the father of the still life painter Jan Jansz van de Velde. He was apprenticed to engraver Jacob Matham in 1613, entered the Haarlem guild in 1614, and then probably visited Italy. He is better known for his etching and engraving than for his painting. According to Houbraken, he was the brother of Esaias van de Velde and Willem van de Velde the Elder, but according to John Denison Champlin, Esaias was his cousin, and he was no relation at all to the family of Willem.
L ESTIN, Jacques de
French painter , b. 1597, Troyes, d. 1661, Troyes
NATTIER, Jean-Marc
French Rococo Era Painter, 1685-1766 Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).






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